Hanna Kay
Born in Tel-Aviv, Israel (Palestine)
Education: Fine Art - Tel-Aviv, Israel, and Vienna, Austria (BA)
Semiotics and Philosophy, University of Sydney, Australia. (BA)
Lived and practiced as an artist in –Tel-Aviv Israel; Vienna, Austria; a decade in New York and a decade in Sydney. In 2000 moved to live in the Upper-Hunter valley, NSW.
Before arriving in Australia in 1989 exhibited in Museums and galleries in Israel, across Europe and the U.S.A. In Australia – have been exhibiting regularly in Sydney, Melbourne and Adelaide. In addition, had survey exhibitions in selected Regional Galleries and Museums, and participated in numerous group exhibitions in both commercial and public art-galleries.
Paintings and drawings are held in public and private collections around the world. Hanna features in numerous art books and magazines in Australia, USA, Europe and Israel.
2007
Habitat – solo exhibition @ Willson Street Gallery Sydney
Habitat 2 – solo exhibition @ John Miller gallery Newcastle
“Notes from the Shed” – an illustrated journal focusing on the creative process, sources of inspiration, and the changing seasons, published by Palgrave Macmillan Art Publication.
Winner 2007 Muswelbrook Open Art Prize NSW.
2008
Winner 2008 Novill Landscape Art Prize NSW
Finalist 2008 Fleurieu Biennale SA
Finalist 2008 Country Energy Countryscape Art Prize NSW
Currently working on a travelling exhibition commissioned by the Maitland Regional Gallery, which explores Jewish Migration to the Hunter Valley in the 1800’s, with a focus on the old Jewish cemetery in Maitland.
" Moving to live in the Hunter Valley, and absorbing the landscape around has brought about a change in my artwork. My focus is not necessarily on the rolling hills that I see from my studio window, but rather on details of the bush at ground level – such as patches of grass, birds' nests, hay stacks, and waterways that reflect the vista above them. "
Roberta Wiseman
Roberta Wiseman was born in Queensland and spent much of her childhood in outback Queensland, and on cattle stations in the Northern Territory. A background which was to instil a life long interest in the Australian landscape.